AMANDA ACKERMAN |
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Summer Poem Written in FallI. Once I was named Grand and Often, and the Beak of the Canary, I was appointed (self-appointed) the first grand, permanent resident of a certain small landmass near the Cayman Islands. I self-administered a health check and granted myself (delegated by myself to myself) a seven-year work permit. I made it out of a tightly-folded white rose and bound it with very pleasurable pink ribbon that I pulled, like a train, directly from the sun, where the mouth would be. I was now a mythological creature, and I was my key employee. I assigned myself the profession of making mace and vanilla tortes. However, tragically, I worked myself too hard. And now I am weary like a threadbare coat with no creaturely binding, nothing sewn tight about my ribs with rough material. Am I free because I have no physical constrictions? Tough to say. II. Once I was named Grand Hurricane and Turbulence and devastated 90% of the homes on my small landmass (my home of course, being the only residence, was 90% gone). And in the devastation’s wake I will relay how I picked – where a rusted canary’s cage had sunken, tottered, and become wedged in the sand –the mythological. As my seven-year work permit had expired, I was desperate for employment and therefore compromised my morals. I wanted new clothes. I wanted irises and more of them growing in a planter in the garden, and starched pink curtains and collars, anything starched. And so it was that I was contracted by an Overseas Territory to wreak havoc on my modest, independent commonwealth. Because I can be honest here, frank that the fog was able to pollute everything. And I was right about the wood of my house rotting, and I could provide myself with nothing with hemlines or hoods to wear at night. No glass, no sugar, and nothing to place books on. You can certainly understand that as a non-citizen (self-appointed) I had little other choice. III. Once I was named Grand Non-Resident, Old Time-Span, Most Pre-Eminent Non-Renewable. I had satisfied the controversy regarding my being a natural blight with the press – my overabundance of air and water – and recruited myself as my own experienced staff. I began to explore the ground, which I had always been a little bit afraid to look at. And I am still, and you are, and all of us. And I saw: a cave with red-cratered starfish and creatures that looked like beetles, night-shaded and tarry; a backwards road under construction; the right time, floating. The creatures crawled and used chalk to draw themselves into caves. Then I shipped them out to sea. In crates no bigger than the cave and the sky, and reaching to about chest-high. A perfect return. A perfect giving back. A perfect loop, a perfect ring, a perfect recourse to balance. |
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| Amanda Ackerman lives in Los Angeles where she writes and teaches. She is co-editor of the press eohippus labs. She is a member of UNFO (The Unauthorized Narrative Freedom Organization) and writes as part of Sam or Samantha Yams. She is also a member of the event space Betalevel. Her work has been published or is forthcoming in the Encyclopedia Project, Volume F-K; flim forum; String of Small Machines; The Physical Poets; and Moonlit. With Harold Abramowitz, she is also co-author of the book Sin is to Celebration, soon to be published by House Press in the fall. | |||