Jessica Bozek    
 

THE GEOMETRY TRANSPORT
  
 
Training for a transport
of turns and time-skew

should include pre-notes,
practiced angles. Traveling

songs to bloom correspond-
dence: I sine you, you

circumscribe me. Let
the tools of our Hyphen

War be: quadruped-smell,
hand-breath. Long on

the ground, late at
the gorge. Tooth-lit.

Leanings aren’t weight-
loss biscuits, nor tendencies;

they are vulnerabilities.
I left leaning

against your half-
walls—something

to remember me down.
Geometry stutters, un-

leads its mechanical pencils,
stubs to eraser-casing.

Who slopes along
inscribes a slant for sniff.

 

THE CARCASS TRANSPORT

 

my camera makes       : a must of us
                                       : “for posterity’s sake” your posterior skin

 

You might wonder how a man who’s forsaken helicopters takes
his agitation. And he would tell you, resoundingly, exclamation
points—another version of trying to fell sleep.

 

let’s go the other—aperture a letter, animate a script
“Mayakovsky’s house brain”         I want to make a muss of you!

 

but mold clots / the two-dimensional captures

 

THE BED-CLOTHES TRANSPORT

  
should we fall
for fan-
blades instead

when temperature turns
suddenly from the window
to sunlight-tussle

(chalk-trail, string knot, air-tether)

we switch pebble-lore
for letters 
days in match-burnt aglets

(ink stain, engagement)

is it really so
arbitrary what

assures us
in late July
compels us

to give up bed-clothes
for floor
scarred & hard

wood against all our skin

 

 

 

Jessica Bozek is the author of cor·re·spond·ence (dusi/e-chap kollektiv), a collaboration with Eli Queen, and The Bodyfeel Lexicon (forthcoming from Switchback Books in 2009). She has lived in Russia, England, Spain, and Costa Rica, but currently walks the dog in Cambridge, Massachusetts.

 

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